Tag Archives: Aldrich Killian

Marvel Musings: Aldrich Killian

Yep, we make a giant jump to Phase 2. That’s because the villains of Phase 1 actually have a pretty good survival rate overall. Well, there is Laufey, but he isn’t really the main villain of Thor, Loki is. So, Aldrich Killian, maybe the most controversial villain of the MCU. This should be interesting.


1. Character Establishing Moment

How well is the villain established in his first scene?

Technically, the character is established twice, once in the past in interaction with Tony and then again in his scene with Pepper. The scene with Tony is nearly perfectly done. There is so much information in it which is not part of the dialogue. His disability, his awkward behaviour, those are all details which hint towards a history of rejection. But the second scene doesn’t work even half as well. For one it is confusing that after the character was introduced in relation with Tony, it suddenly hints prior interactions with Pepper instead. Yes, Killian might have met both of them at one point, but this feels immediately like too much of a coincidence. In addition, this version of the character is so generic. He feels more like a run of the mill slimy businessman. And yes, I know that this is the point, but that doesn’t change the fact that his reappearance is kind of boring, nifty brain graphic or not. I settle on 3 points overall.

2. Motivation

What is his motivation and how creative is it?

Some would say that it is revenge, but I don’t think that this is true. At no point in the movie does Killian indicate that he is interested in revenge. Initially he seems to be more interested in working with Tony, maybe even earn his respect. He only attacks Tony after Tony challenges him, and overall, none of his plans have anything to do with Tony other than that his mind might be able to solve the flaw in extremis.

So, what is it what Killian actually want? It is not fame, since he has learned to appreciate the anonymity. I think what he actually wants is power, the knowledge that he can form the world however he wants. Tony only plays into this as some sort of rival, someone Killian would enjoy to either beat or draw into his scheme one way or another. This isn’t the strongest motivation, but it is way more complex than just revenge. I would give it three or four points if not for the whole matter with Pepper slightly muddying his motivations which isn’t really that well fleshed out in the first place. If it were, the audience wouldn’t confuse it for revenge. So I can’t give him more than 2 points.

3. Plan

What is his goal and does his way of reaching it make any sense?

The issue with Killian’s plan is that there is always a next goal, but not an end goal. Let’s take this apart: In his attempt to reshape the world (and his own body) he conducts illegal experiments with extremis. When it turns out that extremis is instable he invents a terrorist to explain away the explosions. Clever. He then attacks Tony because Tony goaded him. At this point the matter becomes complicated, because a few scenes beforehand he wanted to work with Tony and a few scenes later Maya reveals that they need Tony’s ability to stabilize the extremis Killian himself has already used. Granted, Maya might not have told Killian this for some strange reason, but even then the attack on Tony seems to be an ego thing more than anything else. The next step seems to be to kill the president so that the vice president, who is one of Killian’s people, can assume power. Again, this makes sense, this will make it easier for him to conduct his experiments. But what happens after?

A number of aspects in Killian’s plan are very clever but his end goal is kind of hazy. Does he want to dominate the world from the shadows? Or is he some sort of misguided humanist? I don’t know, therefore I can’t give him more than 3 points for this category.

4. Success Rate

How successful is the villain overall? 

Let’s see…he manages to get the body he always wanted, terrifies the US, destroys Tony’s home and nearly kills him, he captured Tony, Pepper and Rhodey and he comes very close to actually killing the president,but the end, he doesn’t really get all that far in actually realizing his plan. Tony escapes before he can get what he wants from him and the president survives. Even the most basic aspect of his scheming, the extremis, has a major flaw he can’t solve on his own, so I give him only 2 points.

5. Threat Level

How dangerous is the villain in general and to the hero in particular? 

Very dangerous. A clever mind is always the best weapon, but Killian is also scrupulous, not caring one bit who gets caught in the crossfire of his experiments, and with the extremis in his body he is physically powerful, too. In the end, Tony is unable to defeat him, instead another extremis-powered person (Pepper) has to step in. In a way Killian defeats himself by giving Pepper the extremis, and by stepping out of the shadows because Tony goaded him. 4 points.

6. Foil Factor

How well does the villain figure into the story the movie is trying to tell?

I have to clarify something: I really like the mandarin twist. I think it is clever, and pointing out how eagerly we jump on any enemy which is represented to us is certainly something I can get behind. But I do think that the message gets a little bit muddled up right from the start. The big thing we are supposed to take away from the first scene is that Tony created his own demons. But, well, Tony didn’t exactly do anything wrong in that scene. Yes, sending Killian to the roof is kind of cruel, but consider Killian’s actions up to this point. For starters, just because Tony is rich and famous and happens to be in a semi-public place it doesn’t give Killian the right to demand his attention. He can ask for it, but Tony is in no obligation to listen to him. And Tony makes it perfectly clear that he has no interest to do so. But instead of taking the hint, Killian follows him into the elevator and is about to follow him to the floor, too. Killian was in a lot of ways twisted before he ever encountered Tony (Pepper even confirms this later on by indicating that there was always something off about Killian). And AIM is also something Killian founded beforehand.

In addition, if you tell the audience that the monsters of the movie are in this first scene, well, it makes it much harder to pull-off the mandarin twist. Thanks to this first scene I saw it coming from a mile away. There was a slight hope that Killian was around as additional distraction and that the actual villain of the piece would be Maya, because that at least would have been kind of interesting, but nope, it is the guy who has been walking around with a giant red arrow over him the entire time.

All in all Killian just keeps clashing with the themes of the movie and sometimes actively undercuts them. He is in a lot of ways the weakest part in the story, so he gets 1 point.

7. Acting

How well does the actor sell the role?

Well, I give him the transition between awkward and smooth Killian but otherwise I just don’t buy this guy as a threat.  And it really doesn’t help that Kingsley is cheerfully chewing the scenery which he stays entirely unremarkable. Which is kind of the point, but even when he drops the pretence he is still unable to keep up with the other actors on screen. 2 points.

8.  Costume

Does the Costume fit the character and does it stand out in general?

He is wearing…a business suit? I have actually no idea, I only remember him spitting fire. 1 point.

9.  Entertainment Factor

How strong is the emotional response?

Urgh…honestly, the only emotional response I felt was disappointment that this guy is the big villain in place of Maya. 1 point

10. Memorable Moments

How many memorable scenes and lines has the character?

I guess the scene with him on the roof with the fireworks in the background are kind of memorable. I guess I will be gracious and give him 2 points.

Well, this was all over the place in terms of ratings, but we end up with an average of 2,1 stars, which is kind of a shame. This concept could have been brilliant.